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給影片評分:
  • 很差
  • 較差
  • 還行
  • 推薦
  • 力薦
還行

勸導(dǎo)

同類型

  • 1080P
  • 1080P
  • 1080P
  • 1080P
  • 1080P
  • 1080P
  • 第6集完結(jié)
  • 1080P

同主演

  • 1080P
  • 1080P
  • HD
  • 1080P
  • 1080P
  • 1080P
  • 1080P
  • 1080P

劇情介紹

  •   達(dá)科塔·約翰遜將主演新片《勸導(dǎo)》,改編自簡·奧斯汀同名小說,托尼獎提名戲劇導(dǎo)演凱莉·克拉克內(nèi)爾首次執(zhí)導(dǎo)劇情長片?! ”酒乾F(xiàn)代版改編,講述安妮·艾略特是個具有新潮情感、不順從常規(guī)的女人,和她勢利、瀕臨破產(chǎn)的家人生活在一起。當(dāng)安妮曾經(jīng)打發(fā)走的風(fēng)度翩翩、時髦瀟灑的弗雷德里克·溫特沃斯重新出現(xiàn),她必須做出選擇:把過去拋在腦后,或是有第二次機會聽從自己的內(nèi)心。  羅納德·巴斯(《雨人》《我最好朋友的婚禮》)和愛麗絲·維多利亞·溫斯洛寫劇本,Netflix和MRCFilm聯(lián)合制作,5月開拍。電影《勸導(dǎo)》上映于2022年的劇情影片,由凱莉·克拉克奈爾執(zhí)導(dǎo),編劇 Ron Bass、Alice Victoria Winslow、簡·奧斯汀,相關(guān)飾演分別有 達(dá)科塔·約翰遜、柯斯莫·賈維斯、亨利·戈爾丁、理查德·E·格蘭特、妮基·阿姆卡-伯德、本·貝利·史密斯、愛德華·布盧梅爾、米婭·麥肯納·布魯斯、尤蘭達(dá)·凱羅、珍妮特·亨弗瑞、阿格尼·斯科特、喬丹·朗、斯圖爾特·斯卡德莫爾、Richard Lloyd-Knight。其中達(dá)科塔·約翰遜(達(dá)妹、達(dá)達(dá))飾演Anne Elliot,柯斯莫·賈維斯飾演Wentworth,亨利·戈爾丁(亨利·高汀 )飾演Mr. Elliot,理查德·E·格蘭特(理查德·格蘭特·埃斯特胡森)飾演Sir Walter Elliot,妮基·阿姆卡-伯德飾演Lady Russell,本·貝利·史密斯飾演Charles Musgrove,愛德華·布盧梅爾飾演Captain Harville,米婭·麥肯納·布魯斯飾演Mary Elliot,尤蘭達(dá)·凱羅飾演Elizabeth Elliot,珍妮特·亨弗瑞飾演Lady Dalrymple,阿格尼·斯科特飾演Mrs. Croft,喬丹·朗(喬丹·隆恩)飾演Debt Collector,斯圖爾特·斯卡德莫爾飾演Admiral Croft,Richard Lloyd-Knight飾演Make-Up Artist,加里·比德爾飾演Mr. Musgrove,阿弗拉比·阿里飾演Captain Benwick,珍妮·萊恩斯福德飾演Mrs. Harville,Ali Ariaie飾演Surgeon,伊祖卡·霍伊爾飾演Henrietta Musgrove,妮雅·托爾飾演Louisa Musgrove,西蒙·戴伊飾演Mr. Shepherd。這部電影豆瓣5.7分,

    Now we’re worse than exes, we’re friends.
    為了engl355來看遍新版

    劇照


    我在discussion里的回答是:片子本身蠻有意思,但非常不貼合原著。

    When I watched this film a few weeks ago, I hadn't even begun to readPersuasion, but my immediate impression was that the writers didn't trust the timeless nature of the source material, and sought to forcibly modernize it or make it "appeal" to a 21st-century audience, without literallysetting in the 21st century. The writing is weak, the breaking of the fourth wall (clearly intended to be charming) comes across as hand-fisted and gimmicky, but these aren't even my main problems with the adaptation: my main issue is that the core character of Anne Elliot is changed completely, and what is changed leaves very little of the tentative magic of the original text. The film makes use of a sprinkling of banter, sure, and it could be argued that there is some chemistry between the two leads, but the predominant themes of yearning, regret, perseverance and succumbing to societal pressures seem to take the backburner heavily. One of the things that makes Anne Elliot such an interesting Austen lead is the ways in which she differs from other the author's other, younger and earlier-written protagonists. The sometimes agonizing self-awareness and regret that comes as one lives, the quiet richness of her internal world, is unfortunately nowhere to be found in this adaptation. The film uses very surface-level tactics to engage it's audience— perhaps the most successful is in the visuals & costuming, which are undeniably delightful— and ultimately falls flat.

    劇照


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