Yes, first of all, there is a murder, a burlesque stripper Sugar Torch (Pall) is gunned down on the main street in the Little Tokyo district, and two detectives Joe Kojaku (Shigeta) and Charlie Bancroft (Corbett) are investigating the case, they are Korean war veterans and best friends, even sharing a snug apartment, theirpolice procedural pans out a bit languorously, but Fuller profiles the enclave's ethnographic traits with a wandering eye, while the meat of the story is concerned with a key witness, Christine“Chris" Downes (Shaw), who paints the portrait of Sugar Torch dressed in a crimson kimono for the preparation of a Japanese-themed act (one can only imagine what technicolor would do justice to the chromatic appeal here).When her own life is in peril after drawing an identikit of the possible killer, Joe and Charlie invite Chris to stay in their apartment, naturally both bachelors become besotted with her, but it is the interracial romance gains an upper hand (Joe is the more refined, sensitive and art-savvy one), which leaves Joe clammed up in a state of guilt of betraying his best friend, as he knows Charlie reckons Chris as the girl of his dreams, and when the truth finally comes out, Joe’s inborn inferiority complex reaches a boiling point, moreover, let’s not forget a heartless killer is still at large (although a whodunit’s allure has seismically eclipsed by a torrid love triangle at that stage), and Fuller fabricates an analogous tie-in between the killer and Joe, which rounds off the story adequately during the annal Japanese pageant in the Little Tokyo.

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