還是在garden cinema 留下來聽了panel discussion讓我想起很久以前Mrs Tan對我說藝術(shù)創(chuàng)作里最難得珍貴和決定它是否‘好’的factor就是empathy觀眾里和panelist的擁有真正身份體驗的人is just much more sensitive (in an almost instinctual way) to whether the filmic perspective is an insider or outsider one and the underlying cis gaze紀(jì)錄片式的social perspective& filming technique或許mask了一部分outsider(whether as the creator or as the audience) 自以為的真實感之下的虛浮和獵奇我是喜歡這部電影的，但很感激能聽到更多的critical perspective，比如film industry as a predominantly middle class one and the film’s attempt to portray a group that obviously doesn’t ‘belong’ to this class； 當(dāng)用trans actress是理所應(yīng)該的事 yet the film was praised for it, 而trans people在這個industry里能得到的機會和路還是依舊狹窄 etc作為少數(shù)群體一定要發(fā)聲的原因或許在于真正authentic的創(chuàng)作只能由自己帶來 而作為觀看者時就放下自以為能代表被觀看者的傲慢Good educational experience。

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