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采得百花成蜜后

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  • 影片名稱: 采得百花成蜜后

    影片別名: More Than Honey

    影片類型: 紀(jì)錄片

    影片年份: 1993

    制片地區(qū): 瑞士、德國、奧地利

    由馬庫斯·伊姆霍夫執(zhí)導(dǎo),2012年上映的《采得百花成蜜后》,是由Fred Jaggi、Randolf Menzel、John Miller、Liane Singer、Heidrun Singer、Zhao Su Zhang、Fred Terry、Boris Baer、Joseph MacIlvaine、André Maritz、Layne Pauly、Robert Schneider、Eric Robinson、Elisabeth Schild、Tiffany Bate、羅伯特·亨格-布勒、夏爾·貝爾林領(lǐng)銜主演的電影。

    耀眼的自然風(fēng)光,奧斯卡獎提名導(dǎo)演:馬庫斯 依穆胡夫足跡踏遍全球,途徑加利福尼亞州,瑞士,中國和澳大利亞,探尋瀕臨滅絕的蜜蜂種族。這是一次比以往任何有關(guān)蜜蜂主題的電影都更雄心勃勃的電影。愛因斯坦說過:...電影《采得百花成蜜后》上映于2012年的紀(jì)錄片影片,由馬庫斯·伊姆霍夫執(zhí)導(dǎo),編劇 馬庫斯·伊姆霍夫、Kerstin Hoppenhaus,相關(guān)飾演分別有 Fred Jaggi、Randolf Menzel、John Miller、Liane Singer、Heidrun Singer、Zhao Su Zhang、Fred Terry、Boris Baer、Joseph MacIlvaine、André Maritz、Layne Pauly、Robert Schneider、Eric Robinson、Elisabeth Schild、Tiffany Bate、羅伯特·亨格-布勒、夏爾·貝爾林。這部電影豆瓣8.3分,值得觀看!

    【譯】Honeybees - A Compass Point

    劇照


    a network of interrelations. Unlike our own default sense of self, hers is not defined as a living being separate from the world, but rather as being part of the world through intimate belonging. Her sense of self is created in dynamic and multidimensional processes, as if she were embodying a network of multiple selves. We could almost say that she 'are' more other than self. This cornucopia of levels of selves comes with a change in language, as if common grammar was unable to reflect this phenomenon. What follows is a reshaping of our perception and understanding of 'them', and an inward shift of our frame of reference. Our own identity becomes more fluid, more open. Who 'is' we?The symbiotic and relational quality of the onebeeing is beautifully expressed in the place of home, as the typical nest is located within another being, namely within the womb of a tree. It is a place of physical and emotional warmth, one of inwardness and sensing. It is often to be found high up in trees and therefore suspends the onebeeing between heaven and earth. It does not fully belong to the earth, but rather leans towards her. Hollows in trees have been the natural nesting site of the onebeeing for millions of years. The typical hollow develops over several years, if not decades, in trees in the aftermath of an injury. In the process, microorganisms, insects, and vertebras contribute to the shaping of the final nest hollow. Eventually the offspring of a onebeeing, also known as swarm, will find the hollow and establish a nesting site which can, depending on the tree species, stay viable for centuries. As the hollow transforms into the nest site of the onebeeing, it undergoes several changes. Specific to this new inner environment, over 200 symbiotic insects and around 8,000 microorganisms join the onebeeing and form a new unit of its own kind. This 'ecology of selves' represents the foundation of health, aliveness, happiness, and balance. This kind of nest is the true home of the onebeeing. In utter darkness and within an undisturbed and protected nest, white comb emerges and grows in natural ways, as it can freely follow her instinctual preferences. Comb is never moved, nor are any blue prints or implants, otherwise known as foundation, given. Only in such an environment can the onebeeing unfold her embodiment fully and freely. On a fundamental level, a birth right is granted: the birth right to be fully herself. The question arises how this natural home can become our reference for a holistic paradigm of apiculture? And how can we integrate this rich and complex focal point into our farms and our watersheds?Earlier this year I went to Flagstaff, AZ to teach a weekend course on the subject. We were a diverse group of apiculturists, gardeners, and educators all united in a gesture of honoring the onebeeing and in finding new reference poin。

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