這是一部于1997年上映的電影，達(dá)尼埃爾·于伊耶、讓-馬里·斯特勞布共同執(zhí)導(dǎo)。影片講述了BasedonanunknownSch?nbergoperafrom1929,FromTodayUntilTomorrowexploresonenightinanot-quitelovelessmarriage.Ahusbandandwifereturnfromapartywhereshehasflirtedwithanotherman,whilehehascastanappraisingeyetowardanattractive,fashionablydressedacquaintanceofhiswife’s.Thougheachdreams,briefly,ofleavingthemarriagefortheexcitementandmysteryofanewlover,intheendtheydecidestabilityandcomfortaremoreimportantthanthefleetingthrillofnewromance.DirectorsJean-MarieStraubandDanièleHuillet,whopreviouslycollaboratedontwootherfilmsaboutmusic(TheChronicleofAnnaMagdalenaBach,1968,andMosesandAaron,1975),relyonlongfixedshotsinaustereblack-and-whitesothatthefocusremainsonthemusicalbrillianceofSch?nberg’satonalscore,performedhereby70musicians.ThatSch?nbergwouldchoosesucharelativelylightheartedmessageforhisnewlydiscoveredmusicallanguageremainsamystery,especiallysincetheconclusionreachedbythehusbandandwife—tostickwiththetriedandtrue—seemsdirectlyatoddswithSch?nberg’sownphilosophyofcomposing.Itisjustthisjuxtaposition,however,coupledwithStraubandHuillet’sfaithfulpresentation,thatmakestheoperaacompellingadditiontotheSch?nbergcanon—andthefilmsuchachallengingandintriguingexperience.。這部電影在豆瓣上的評(píng)分為 4.0，盡管評(píng)價(jià)平平，但其通過寫實(shí)的風(fēng)格和真實(shí)情感刻畫，讓觀眾感受到了該電影中不同于現(xiàn)實(shí)中的力量。