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- HD中字托尼·穆薩蒂/蘇茜·肯道爾/恩里科·瑪麗亞·薩萊諾/埃娃·倫齊/Umberto Raho/雷納托·羅曼諾/Giuseppe Castellano/馬里奧·阿多夫/Pino Patti/Gildo Di Marco/德羅熱達·鐸洛斯/Omar Bonaro/Fulvio Mingozzi/維爾納·彼得斯/Karen Valenti/卡拉·曼奇尼/Bruno Erba/達里奧·阿基多/Luciano Arrigoni/Luigi Baldoni
- HD中字詹姆斯·加納/愛娃·瑪麗·森特/羅德·泰勒/維爾納·彼得斯/約翰·班納/拉塞爾·索爾森/阿蘭·納皮爾/Oscar Beregi Jr./埃德·吉爾伯特/西戈·魯曼/西莉亞·羅斯基/卡爾·赫爾德/馬丁·科斯萊克/瑪喬麗·本尼特/亨利·羅蘭/Otto Reichow/希爾達普洛賴特/Walter Friedel/約瑟夫·梅爾/阿道夫·希特勒 Adolf Hitler/理查德·亞歷山大/Chris Anders/魯?shù)婪颉ぐ驳滤?Leslie Bradley/Gene Coogan/Howard Curtis/Henry Dar Boggia/George Dee/喬·迪雷達/詹姆斯·杜漢/Horst Ebersberg/Kort Falkenberg/Stuart Hall/約翰·哈特/Walter Janovitz/羅伊·詹森/Barry Macollum/Owen McGiveney/Eric Micklewood/Jeff Morris/Richard Peel/Charles H. Radilak/Werner Reichow/杰弗里·塞爾/諾貝特·席勒/羅爾夫·塞丹/威廉·史密斯/Michael Stroka
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劇情介紹
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《臣仆》上映于1951年的劇情,由維爾納·彼得斯領銜主演,沃爾福岡·施多德執(zhí)導。影片講述了狄德利希·赫斯林是奈澤西小城造紙廠老板的兒子。他從小欺軟怕硬,害怕權勢,又追求權勢。他愛在老師面前打小報告,以看到別人挨批評而高興。上了寄宿學校后,他更多的接觸到女孩。當他獲得他的愛情后,卻拒絕與之結婚,因為她還有另外一個追求者,因為被他認為不夠純潔。他也拿到了博士學位。但不是為了就職或進行學術研究,而是為了追求金錢勢力。他父親去世后,由他接替父親當造紙廠的老板。他見風使舵,周旋于自由黨人和社會民...《臣仆》是亨利?!ぢ鞋F(xiàn)實主義文學的代表作。導演試圖通過影片作一次人的本性的揭露。通過巧妙的蒙太奇和畫面的疊化,對“臣仆精神”進行了無情的諷刺。當表現(xiàn)狄德利?!ず账沽值呐詴r,利用,利用了俯視鏡頭,把他低三下四跪近皇帝的樣子縮成蛆蟲般大小。表現(xiàn)他以勢欺人時,又利用了仰視鏡頭,把他放大到巨人一般,將帝國時代奴顏卑膝,可鄙而危害社會的德國小市民的典型刻畫地淋漓盡致,。豆瓣評分達到了 7,展現(xiàn)了復雜的人物關系和讓人記憶深刻的故事情節(jié)。
Der Untertan is the most famous novel by German author Heinrich Mann. It has been translated into English under the titles "Man of Straw," "The Patrioteer," and "The Loyal Subject" (translation by Helmut Peitsch). The title poses a problem for the non-German reader since there is no effective translation of the word 'Untertan' in the sense it was employed by Mann. The 'Subject' of the title conveys a sense of unthinking servility to the state.Although the novel was completed in July 1914, shortly before the outbreak of World War I, it was not published until 1918 (by Kurt Wolff Verlag of Leipzig). After the war, the novel enjoyed considerable popularity, given its critiques of the ultra-nationalism of Wilhelmine Germany."Der Untertan" portrays the life of Diederich Hessling, a slavish and fanatical admirer of Kaiser Wilhelm II, as an archetype of nationalist Wilhelmine Germany. Hessling is unthinkingly obedient to authority and maintains a rigid dedication to the nationalist goals of the German state.Throughout the novel, Hessling's inflexible ideals are often contradicted by his actions: he preaches bravery but is a coward; he is the strongest proponent of the military but seeks to be excused from his obligatory military service; his greatest political opponents are the revolutionary Social Democrats, yet he uses his influence to help send his hometown's SPD candidate to the Reichstag to defeat his Liberal competitors in business; he starts vicious rumors against the latter and then dissociates himself from them; he preaches and enforces Christian virtues upon others but lies, cheats, and regularly commits infidelity.Diederich's ideals: blood and iron, and the might of opulent power, are exposed as hollowness and weakness. Diederich Hessling--the child (and later adult) who acts as an informer, the member of the Neo-Teuton student fraternity, the doctor of chemistry, the paper manufacturer, and eventually the most influential man in town--is a critical allegory depicting German society's increasing susceptibility to chauvinism, jingoism, ultra-nationalism, anti-Semitism, and proto-fascism. His character is often juxtaposed, in both words and appearance to another man of straw: Kaiser Wilhelm II. In one instance, Hessling's behavior and outward appearance move an observer to stammer, 'It almost seems to me...You look so very much like His ...' , meaning the Kaiser.Mann uses the moral bankruptcy and shallow ridiculousness of Hessling's life to critique Wilhelmine German society generally. Like other novels of the period, such as Theodor Fontane's Effi Briest, or even his brother Thomas Mann's Buddenbrooks, the principal target is the hypocrisy of bourgeois society and the risk of social collapse in a nation of loyal 'Untertan' citizens.In East Germany, the book was made into a movie in 1951, directed by Wolfgang Staudte and starring Werner Peters as Diederich Hessling.。
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